walking the Mean Streets of Medieval York
Yes, I’ve been quiet, but for a good reason. I’m reviewing the copyedit of A Triple Knot and making the last substantive changes–a tense yet exhilarating point in the birthing of a book. I’m reading it aloud to catch infelicitous phrases, inconsistencies, and repetitions.… Continue Reading “A Triple Knot”
I’ve been thinking about the various ways I use history in novels. In the Owen Archer novels, I (as Candace) make use of the history to create the motivation for the crime and the circumstances–political, cultural, local–that led to it and that create obstacles… Continue Reading “Shop Talk: Uses of History in a Novel”
Since the round table in celebration of Mark Ormrod’s Edward III (Yale, 2011), I’ve been rereading sections of the book with fresh eyes and mind. I first read it as I was rewriting Rebel Pawn, clearly reading the parts that might change my mind… Continue Reading “More Post Kalamazoo”
Character-driven: it’s a phrase that’s become so common in reviews and articles about publishing that it’s in danger of becoming a cliche–perhaps it already has. But I live with the reality of a character-driven career. I am haunted, teased, cajoled, intrigued, scolded by my… Continue Reading “Shop Talk: Character-Driven”
I skirted the issue of the garter in the first draft of the manuscript, though it’s such an integral part of Edward III’s court in the middle of the 14th century. Fence straddling doesn’t lend itself to passionate, engaging characters, so as I await… Continue Reading “The Order of Whose Garter? (II)”