n Chaucer and Costume: The Secular Pilgrims in the General Prologue (DS Brewer 2000), Laura Hodges presents in wondrous detail how in “Chaucer’s descriptions of textiles, as well as styles, garments, and accessories worn by his pilgrims… [he] weaves a web of costume signs and fabricates characterizations.” (3) Laura knows something about using clothing to enhance a text, and that is why she has been my go to person regarding medieval clothing ever since we met.
On World Book Day, a paper presented in 2013 about how A Triple Knot came into being.
In the beginning, I play with characters, trying them out in scenes, testing how they react to events and their fellow characters. With Joan of Kent, I’d already portrayed her several years before the death of her husband, the Black Prince, in A Vigil… Continue Reading “Background on A TRIPLE KNOT: Envisioning Joan”
On Saturday, 19 July, 4:00-5:30 pm I’ll be facilitating a workshop at the annual summer conference of the Pacific Northwest Writers Association. Details of the location are on the events page on my website (emmacampion.com). A workshop is a workshop, not a lecture. I… Continue Reading “A Moment in Time: Focusing the Historical Novel”
Yes, I’ve been quiet, but for a good reason. I’m reviewing the copyedit of A Triple Knot and making the last substantive changes–a tense yet exhilarating point in the birthing of a book. I’m reading it aloud to catch infelicitous phrases, inconsistencies, and repetitions.… Continue Reading “A Triple Knot”