walking the Mean Streets of Medieval York
On World Book Day, a paper presented in 2013 about how A Triple Knot came into being.
In the beginning, I play with characters, trying them out in scenes, testing how they react to events and their fellow characters. With Joan of Kent, I’d already portrayed her several years before the death of her husband, the Black Prince, in A Vigil… Continue Reading “Background on A TRIPLE KNOT: Envisioning Joan”
On Saturday, 19 July, 4:00-5:30 pm I’ll be facilitating a workshop at the annual summer conference of the Pacific Northwest Writers Association. Details of the location are on the events page on my website (emmacampion.com). A workshop is a workshop, not a lecture. I… Continue Reading “A Moment in Time: Focusing the Historical Novel”
Yes, I’ve been quiet, but for a good reason. I’m reviewing the copyedit of A Triple Knot and making the last substantive changes–a tense yet exhilarating point in the birthing of a book. I’m reading it aloud to catch infelicitous phrases, inconsistencies, and repetitions.… Continue Reading “A Triple Knot”
I’ve been thinking about the various ways I use history in novels. In the Owen Archer novels, I (as Candace) make use of the history to create the motivation for the crime and the circumstances–political, cultural, local–that led to it and that create obstacles… Continue Reading “Shop Talk: Uses of History in a Novel”