I trust you enjoyed the first 2 installments of Robert Newman’s tribute to Magda Digby the past few weeks; with his permission, I am serializing it as a prelude to the publication of The Riverwoman’s Dragon (Owen Archer bk 13, published 26 August 2021… Continue Reading “The Wisdom of Magda Digby Part III”
I trust you enjoyed the first part of Robert Newman’s essay last week; with his permission, I am serializing it as a prelude to the publication of The Riverwoman’s Dragon (Owen Archer bk 13, published 26 August 2021 in hardcover in the UK; 1… Continue Reading “The Wisdom of Magda Digby Pt. II”
Robert Newman, a longtime reader of the Owen Archer series, recently shared with me, for my approval, his study of Magda Digby’s wisdom. With his permission, I will be serializing it as a prelude to the publication of THE RIVERWOMAN’S DRAGON (Owen Archer bk… Continue Reading “The Wisdom of Magda Digby (part I)”
n Chaucer and Costume: The Secular Pilgrims in the General Prologue (DS Brewer 2000), Laura Hodges presents in wondrous detail how in “Chaucer’s descriptions of textiles, as well as styles, garments, and accessories worn by his pilgrims… [he] weaves a web of costume signs and fabricates characterizations.” (3) Laura knows something about using clothing to enhance a text, and that is why she has been my go to person regarding medieval clothing ever since we met.
fictional detectives are modern knight errants. Their good deeds rescue justice from the cruelties of the powerful. Although knightly heroism has been a largely masculine tradition, many types of detective fiction serve a narrative form dedicated to reconciling feminine and masculine energies: the grail quest. Modern mysteries continue the work of medieval romances. Structured around a lost cup or grail, ostensibly that used by Christ, they quest for what was a feminine symbol in ancient fertility rites.